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Thinking Mobility Two-Ways: Migratorial Aesthetics

12/03/2007 – 14/03/2007

I INTERNATIONAL ENCUENTRO
THINKING MOBILITY TWO-WAYS: ON MIGRATORIAL AESTHETICS

Murcia, March 12th-14 th

Presentation

Migration is an urgent and timely subject for reflection. The aesthetic dimension of the social phenomenon of migration has not been studied in its own right. This dimension moves in two directions: the influence of newcomers to the host countries’ culture, especially the “look” of public space; and the influence of host countries on the subjective relationship, through memory, of migrants to their homeland, whether they have personal memories of that homeland or not; whether this homeland is imaginary or the product of “post-memory.” We think it is time to also acknowledge, even celebrate, the enormous cultural benefits of migration for the so-called host societies, so as to strike a more positive note.

The mixed societies that have emerged as the result of migration have benefited enormously from the arrival of people from many different cultures. Cities have become more heterogeneous ("colorful"), music and cinema have been enormously enriched, and philosophy gratefully uses the potential offered by thinking along the lines of – and through metaphors relating to – migrancy. Meanwhile – and as it more frequently studied – migrants also change, so that their double relationship to host and home country produces an aesthetic in and of itself, which, in turn, further contributes to changes in the host countries and their cultural expressions. This project is about the aesthetics that emerge from this situation, not, or not necessarily or exclusively, about the theme of migration itself.

The goal of the Encuentros is to further reflection on the migratory culture of today, theoretically, historically, and critically, in relation to aesthetic practices as well as the aesthetics of everyday life. “Culture” is used here to indicate moments of confrontation and negotiation between groups of people and, specifically, the visible and invisible consequences of those moment for the lives of people in culturally mixed societies.  In the encounter we will attempt to think an aesthetics of geographical mobility beyond the nation-state and its linguistic uniformity. An “intercultural ethics” anchored in a conception of history focused on the relevance of present issues for a re-visioning of the past as much as the relevance of the past for the present. In alignment with intercultural relationality, we could call it inter-temporal. In spite of its clumsiness, such a term helps remind us of the thick mutuality of relation, as opposed to a lean linearity of progress.

Speakers

Rogaia Mustafa Abusharaf (Brown University, U.S.A.), B. O. Firat (Amsterdam University), Fernando Castro Flórez (University of  Madrid), Jill Bennett (University of New South Wales, Australia), José Luis Brea (University Carlos III, Madrid), M. Rosello (Amsterdam University), Maaike Bleeker (Utrech University), Miguel A. Hernández-Navarro (CENDEAC), Mieke Bal (Amsterdam University), Néstor García Canclini (University of México City), Paulina Aroch (ASCA, Amsterdam), Pedro A. Cruz Sánchez (University of Murcia), Sonja Neef (Weimar University ), Anna Maria Guasch (University of Barcelona), Sudeep Dasgupta (Amsterdam University), Ranjanna Khanna (  Duke University , USA).

Direction and project

Mieke Bal (Royal Dutch Academy of Sciences, Amsterdam)

See Participant's CVs


PROGRAMME

Monday March 12
16-19 h. First workshop session: Displacements
-      Mieke Bal, Double Movement
-      Sudeep Dasgupta, The Dialectics of Performative Displacements: Contrapuntal Notes on Migration and Aesthetic
-      Anna Maria Guasch, "Home" as place. The New Nomadism in the work of Danica Dakic
-      Fernando Castro Flórez, Duty Free. (Journey to Nowhere and the so-called Artistic Nomadism
20 h. Plenary lecture: Mieke Bal
 
Tuesday March 13
10 -11h. Visit of the exhibition 2Move: Double Mouvement (Migratorial Aesthetics)
11-14 h. Second workshop session: Beyond identity
-      Jill Bennett, Migratory Aesthetics: Art and Politics After Identity
-      Ranjana Khanna, The Rhythm of the Specter in Isaac Julien’s “Fantôme Afrique”
-      José Luis Brea, RAM_city (A Thousand Screens)
-      Miguel A. Hernández-Navarro, Little resistances: contradictions of mobility
14-16 h. Lunch
16-19 h. Third workshop session: Strategies
-      Rogaia Mustafa Abusharaf, Smoke Bath
-      Néstor García Canclini, Migrants: Working on metaphors.
-      Begüm Ozden Firat, The Seventh Man: Migration, politics and aesthetics
-      M. Rosello, Iliterate Readings: Reading Illiterate
20 h. Plenary Lecture: Néstor García Canclini
 
Wednesday March 14th
10 –13 h. Fourth workshop session: Conceptions and Concepts
-      Paulina Aroch, A Context Not of its Making: Homi Bhabha’s “Democracy De-realized” as a Cultural Object
-      Sonja Neef, Sans papiers. Who’s Europe?
-      Pedro A. Cruz Sánchez, Art as Political Otherness
-      Maaike Bleeker, Limited Visibility
 13-16 h. Lunch
17 h. Second visit to the Exhibition
 


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More information

Language: English and Spanish. Simultaneous translation

Capacity: 130 people

Registration: Professionals 60 euros. Students 30 euros. Members 15 euros

 

To register the on-line inscription it is NECESSARY to fill out the application form and to make a bank transaction in CAJAMURCIA  bank, account number 2043 0090 32 0200550928, specifying as concept AESTHETICS, and SEND a  payment receipt copy to the following address:

CENDEAC
Madre Elisea Oliver Molina, s/n.
Pabellón 5. Antiguo Cuartel de Artillería
Postal code 30002
Murcia, Spain