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Beatriz Colomina. Surveillance: Architecture in the Post-Sputnik Age

29/10/2008 – 31/10/2008

BEATRIZ COLOMINA
Surveillance: Architecture in the Post-Sputnik Age
October 29, 30, 31. 18.30-21.00 h.

This seminar will explore the critical transformation in the relationship between interior and exterior space in modern architecture as a key symptom of the rise of surveillance culture. This transformation is most evident in domestic space, which ceases to be simply bounded territory in opposition to the outside whether physical or social. An analysis of modern houses will be used as a frame to register contemporary displacements of the relationship between private and public space, the convolution of boundaries between inside and outside produced by the emerging reality of the technologies of communication and surveillance: telephone, radio, film, TV, computers, the internet, satellites, etc. The basic position to be explored is both that architecture has been completely transformed by the new spatialities of the media and that architecture itself has always operated as a form of media.

Sessions

Sesión 1. Arquitectura de Rayos X: la enfermedad como metáfora. More
Sesión 2. Vigilancia global: arquitectura en la era Post-Sputnik. More
Sesión 3. Visiones turbias: Arquitecturas de vigilancia. More

Biography

Beatriz Colomina is Professor of Architecture and Founding Director of the Program in Media and Modernity at Princeton University. She is the author of Domesticity at War (ACTAR and MIT Press, 2007), Doble exposición: Arquitectura a través del arte (Akal, 2006) and Privacy and Publicity: Modern Architecture as Mass Media (MIT Press, 1994) and the editor of Architectureproduction (Princeton Architectural Press, 1988), Sexuality and Space (PAP, 1992), and Cold War Hot Houses: Inventing Postwar Culture from Cockpit to Playboy (PAP, 2004).  She is the organizer of the exhibition “Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X” at the Storefront for Art and Architecture in New York and the CCA in Montreal. The show will travel to several cities in the USA, Europe and Asia starting with Documenta 12 and the Architectural Association in London. She is currently working on her next research project "X-Ray Architecture: Illness as Metaphor." 


Information and enrolment

Language of the Seminar: Spanish

CENDEAC is accessible for wheelchair users and people with diminished mobility. Whenever possible, we will strive to provide on request a transcript of papers for users with impaired hearing.

Auditorium Capacity: 140 people
Free entry to those who do not wish to receive an attendance certificate (paying users will be granted preferential entry if the auditorium reaches its full capacity).

In order to enrol and obtain a certificate of attendance, you need to:
- Attend all sessions of the course
- Fill in the enrolment form
- Pay the appropriate fee

 

Fee: 30 € professionals, 15€ students, unemployed and OAPs (proof of status will be required). Free for holders of a Friends of CENDEAC card.

In order to enrol online it is necessary to fill in the enrolment form and make a payment for the appropriate fee WITHIN TWO WEEKS OF ENROLMENT to CAJAMURCIA bank, Account Number  2043 0090 32 0200550928,  specifying as a concept the name of the seminar and SENDING ONE COPY OF THE PAYMENT RECEIPT to CENDEAC (you can do this by email or fax in order to save time and avoid de-enrolment, however, if you are de-enrolled you will be enrolled again on receipt of your payment slip). Alternatively, you can enrol and pay your fee at the CENDEAC office (Monday to Friday from 9 a.m. to 2 p.m. and from 4p.m. to 8 p.m.).

CENDEAC
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